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Sheetmusic to print
131 sheet music found
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126
Thank You For The Music
Thank You For The Music
#
Choral SSAA
#
INTERMEDIATE
#
ABBA
#
Larry Wright
#
not contestable for SAI
#
Thank You For The Music
#
Larry Wright
#
SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.853873 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 9...
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Choral Choir (SSAA) - Level 3 - SKU: A0.853873 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 9 pages. Larry Wright #4726115. Published by Larry Wright (A0.853873). A WOMAN'S 6-part (choruses only) a cappella contemporary barbershop arrangement of the well-known ABBA uptempo'd hit song; not contestable for SAI.Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available excellent, part-predominant vocal Learning Trax <www.larrywrightmusic.com>.
$15.00 ≈
14.00€
This One's For The Girls
This One's For The Girls
#
Choral SSAA
#
INTERMEDIATE
#
Martina McBride
#
Larry Wright
#
not contestable for SAI
#
This One's For The Girls
#
Larry Wright
#
SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.853791 By Martina McBride. By Aimee Mayo, Chris Lindsey, and Hillary Lindsey. Arranged by Larry Wright. A Cappel...
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Choral Choir (SSAA) - Level 3 - SKU: A0.853791 By Martina McBride. By Aimee Mayo, Chris Lindsey, and Hillary Lindsey. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 11 pages. Larry Wright #4622953. Published by Larry Wright (A0.853791). A WOMEN'S 4-part, a cappella, barbershop arrangement of the Martina McBride uptempo hit song; not contestable for SAI.Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available excellent part-predominant vocal Learning Trax <www.larrywrightmusic.com>. If you've FIRST purchased my learning trax from my website store... and the SMP per-copy price is anything other than $1.89, DON'T PAY IT!!! Email me <larry@larrywrightmusic.com>. NOTE: SMP requires a minimum purchase of 10 copies for all choral selections. Sorry quartets!
$15.00 ≈
14.00€
Here We Come A Wassailing
Here We Come A Wassailing
#
Guitar notes and tablatures
#
BEGINNER
#
Ronald Hazlehurst
#
Danny Crocome
#
Here We Come A Wassailing
#
Danny Crocome Music
#
SheetMusicPlus
Guitar - Level 1 - SKU: A0.1245940 Composed by Ronald Hazlehurst. Arranged by Danny Crocome. 19th Century,Advent,Christian,Christmas,Contest,Festival. G...
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Guitar - Level 1 - SKU: A0.1245940 Composed by Ronald Hazlehurst. Arranged by Danny Crocome. 19th Century,Advent,Christian,Christmas,Contest,Festival. Guitar Tab. 1 pages. Danny Crocome Music #840771. Published by Danny Crocome Music (A0.1245940). A simple solo guitar arrangement of this timeless Christmas song.Suitable for beginner guitarists.Chords and chord diagrams provided for accompaniment purposes.
$4.99 ≈
4.66€
I'm Having A Ball
I'm Having A Ball
#
Choral SSAA
#
INTERMEDIATE
#
Johnny Young
#
Larry Wright
#
I'm Having A Ball
#
Larry Wright
#
SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 3 - SKU: A0.1341771 Composed by Johnny Young. Arranged by Larry Wright. A Cappella,Barbershop. 6 pages. Larry Wright ...
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Choral Choir,Choral (SSAA) - Level 3 - SKU: A0.1341771 Composed by Johnny Young. Arranged by Larry Wright. A Cappella,Barbershop. 6 pages. Larry Wright #927311. Published by Larry Wright (A0.1341771). A brand NEW Women's 4-part, a cappella arrangement of this zippy uptune.... fun, fun, FUN!!! Not contestable for SAI, but YES for HI, BHS, and all others! Check out the short 30 second audio demo on SMP... or the 1 minute audio demo on my website store <www.larrywrightmusic.com>,... or purchase the $2 full-length audio demo on my website store <www.larrywrightmusic.com>IMPORTANT NOTE: by FIRST purchasing the COMBO of this song from my website store <www.larrywrightmusic.com> you'll not only be getting the excellent learning trax, but also be able to purchase the sheet music from the SMP website store for their lowest $1.89/$1.99 per-copy price,... NOT the currently posted much higher $14.25 per-copy price. PLUS, you'll also get to select a second COMBO of your choice from my website store for FREE!!!! NOTE: if the SMP per-copy price is anything more than $1.99, DON'T PAY IT!!! Email me <larry@larrywrightmusic.com> for assistance.Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available EXCELLENT, part-predominant, VOCAL LEARNING TRAX on my website store<www.larrywrightmusic.com>.
$15.00 ≈
14.00€
The Greatest American Hero
The Greatest American Hero
#
Choral SSAA
#
INTERMEDIATE
#
Leland Michael Postil and Step
#
Larry Wright
#
not contestable for SAI
#
The Greatest American Hero
#
Larry Wright
#
SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.853786 Composed by Leland Michael Postil and Stephen Geyer. Arranged by Larry Wright. A Cappella,Barbershop. Oct...
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Choral Choir (SSAA) - Level 3 - SKU: A0.853786 Composed by Leland Michael Postil and Stephen Geyer. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 6 pages. Larry Wright #4622807. Published by Larry Wright (A0.853786). A WOMEN'S 4-part, a cappella, barbershop arrangement of the uptempo hit song from the TV series show; not contestable for SAI.Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available excellent part-predominant, vocal Learning Trax <www.larrywrightmusic.com>. If you've FIRST purchased my learning trax fromk my website store,... and the per-copy price on the SMP website store is anything more than $1.89 per-copy, DON'T PAY IT!!! Email me <larry@larrywrightmusic.com>. NOTE: SMP requires a minimum purchase of 10 copies for all choral selections. Sorry quartets!
$15.00 ≈
14.00€
Unchained Melody
Unchained Melody
#
Choral SSAA
#
INTERMEDIATE
#
Barry Manilow
#
Larry Wright
#
not contestable for SAI
#
Unchained Melody
#
Larry Wright
#
SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.853793 By Barry Manilow. By Alex North. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 4 pages. Larry ...
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Choral Choir (SSAA) - Level 3 - SKU: A0.853793 By Barry Manilow. By Alex North. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 4 pages. Larry Wright #4624299. Published by Larry Wright (A0.853793). A WOMEN'S 4-part, a cappella, barbershop ballad arrangement of the Righteous Brothers hit song; not contestable for SAI.Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available excellent part-predominat vocal Learning Trax <www.larrywrightmusic.com>. If you've FIRST purchased my learning trax from my website store... and the SMP per-copy price is anything other than $1.89, DON'T PAY IT!!! Email me <larry@larrywrightmusic.com>. NOTE: SMP requires a minimum purchase of 10 copies for all choral selections. Sorry quartets!
$15.00 ≈
14.00€
Tuxedo Junction
Tuxedo Junction
#
Choral SSAA
#
INTERMEDIATE
#
Erskine Hawkins, Julian Dash,
#
Larry Wright
#
not contestable for SAI
#
Tuxedo Junction
#
Larry Wright
#
SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.853825 Composed by Erskine Hawkins, Julian Dash, and William Johnson. Arranged by Larry Wright. A Cappella,Barbe...
(+)
Choral Choir (SSAA) - Level 3 - SKU: A0.853825 Composed by Erskine Hawkins, Julian Dash, and William Johnson. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 7 pages. Larry Wright #4632095. Published by Larry Wright (A0.853825). A WOMEN'S 6-part (choruses only) with overlay harmonies barbershop arrangement of the Glenn Miller uptempo classic song; not contestable for SAI.Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available excellent part-predominant vocal Learning Trax <www.larrywrightmusic.com>. If you've FIRST purchased my vocal learning trax from my website store... and the per-copy price on the SMP website store is anything but $1.89, email me <larry@larrywrightmusic.com>. NOTE: SMP requires a minimum purchase of 10 copies for all choral selections; sorry quartets!
$15.00 ≈
14.00€
The Boy From New York City
The Boy From New York City
#
Choral SSAA
#
INTERMEDIATE
#
Ad Libs
#
Larry Wright
#
not contestable for SAI
#
The Boy From New York City
#
Larry Wright
#
SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.853699 By Ad Libs. By George Davis and John Taylor. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 10 ...
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Choral Choir (SSAA) - Level 3 - SKU: A0.853699 By Ad Libs. By George Davis and John Taylor. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 10 pages. Larry Wright #4412135. Published by Larry Wright (A0.853699). A WOMEN'S 5-part (choruses only), a cappella barbershop arrangement of the Manhattan Transfer uptempo hit song; not contestable for SAI. Choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available excellent part-predominant vocal Learning Trax <www.larrywrightmusic.com>. If you've FIRST purchased the part-predominant vocal learning trax from my website store... and per-copy price of SMP's website store is anything more than $1.89, DON'T PAY IT!!! Email me <larry@larrywrightmusic.com> for assisance. NOTE: SMP requires a minimum purchase of 10 copies for all choral selections. Sorry quartets!
$15.00 ≈
14.00€
Tuxedo Junction
Tuxedo Junction
#
Choral SSAA
#
INTERMEDIATE
#
Erskine Hawkins, Julian Dash,
#
Larry Wright
#
not contestable for SAI
#
Tuxedo Junction
#
Larry Wright
#
SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.853775 Composed by Erskine Hawkins, Julian Dash, and William Johnson. Arranged by Larry Wright. A Cappella,Barbe...
(+)
Choral Choir (SSAA) - Level 3 - SKU: A0.853775 Composed by Erskine Hawkins, Julian Dash, and William Johnson. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 7 pages. Larry Wright #4607627. Published by Larry Wright (A0.853775). A WOMEN'S 4-part, a cappella, barbershop arrangement of the Glenn Miller uptempo hit song from the 40's; not contestable for SAI.Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available excellent part-predominant, vocal Learning Trax <www.larrywrightmusic.com>. If you've FIRST purchased my vocal learning trax from my website store... and the per-copy price on the SMP website store is anything more then $1.89, DON'T PAY IT!!! Email me <larry@larrywrightmusic.com>. NOTE: SMP requires a minimum purchase of 10 copies for all choral selections. Sorry quartets!
$15.00 ≈
14.00€
On The South Side Of Chicago
On The South Side Of Chicago
#
Choral SSAA
#
INTERMEDIATE
#
Phil Zeller
#
Larry Wright
#
not contestable for SAI
#
On The South Side Of Chicago
#
Larry Wright
#
SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.853766 Composed by Phil Zeller. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 4 pages. Larry Wright #...
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Choral Choir (SSAA) - Level 3 - SKU: A0.853766 Composed by Phil Zeller. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 4 pages. Larry Wright #4605387. Published by Larry Wright (A0.853766). A WOMEN'S 4-part, a cappella, barbershop arrangement of a jazzy, uptempo pop song from the late 60's, originally recorded by Vic Damone; not contestable for SAI.Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available excellent part-predominant vocal Learning Trax <www.larrywrightmusic.com>. If you've FIRST purchased my learning trax on my website store... and the per-copy price on the SMP website store is anything more than $1.89, DON'T PAYIT!!! Email me <larry@larrywrightmusic.com>. NOTE: SMP requires a minimum purchase of 10 copies for all choral selections. Sorry quartets!
$15.00 ≈
14.00€
Saint-Saëns: The Swan for Cello & Piano
Saint-Saëns: The Swan for Cello & Piano
#
Cello, Piano
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INTERMEDIATE
#
Classical
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for C
#
jmsgu3
#
SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic P...
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Cello,Piano - Level 3 - SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic Period,Wedding. Score and part. 11 pages. Jmsgu3 #902984. Published by jmsgu3 (A0.1314243). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing. LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
30.75€
Saint-Saens: The Swan for Viola and Piano
Saint-Saens: The Swan for Viola and Piano
#
Viola, Piano
#
INTERMEDIATE
#
Classical
#
Camille Saint-Saens
#
James M
#
Saint-Saens: The Swan for Viol
#
jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Hist...
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Piano,Viola - Level 3 - SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 9 pages. Jmsgu3 #847646. Published by jmsgu3 (A0.1254033). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95 ≈
32.62€
Saint-Saëns: The Swan for French Horn & Piano
Saint-Saëns: The Swan for French Horn & Piano
#
French Horn and Piano
#
INTERMEDIATE
#
Classical
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for F
#
jmsgu3
#
SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Roman...
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French Horn,Piano - Level 3 - SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Romantic Period,Wedding. Score and part. 9 pages. Jmsgu3 #901955. Published by jmsgu3 (A0.1313124). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
30.75€
Saint-Saëns: The Swan for Bass Clarinet & Piano
Saint-Saëns: The Swan for Bass Clarinet & Piano
#
Bass Clarinet
#
INTERMEDIATE
#
Classical
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for B
#
jmsgu3
#
SheetMusicPlus
Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,...
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Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Wedding. Individual part. 11 pages. Jmsgu3 #903006. Published by jmsgu3 (A0.1314265). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
30.75€
Saint-Saëns: The Swan for Clarinet & Piano
Saint-Saëns: The Swan for Clarinet & Piano
#
Clarinet and Piano
#
INTERMEDIATE
#
Classical
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for C
#
jmsgu3
#
SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,H...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903015. Published by jmsgu3 (A0.1314273). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
30.75€
Saint-Saëns: The Swan for Flute & Piano
Saint-Saëns: The Swan for Flute & Piano
#
Flute and Piano
#
INTERMEDIATE
#
Classical
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for F
#
jmsgu3
#
SheetMusicPlus
Piano,Soprano Flute - Level 3 - SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,His...
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Piano,Soprano Flute - Level 3 - SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #902996. Published by jmsgu3 (A0.1314255). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history. Criticism On the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
30.75€
Sister Act
Sister Act
#
Choral SSAA
#
INTERMEDIATE/ADVANCED
#
Alan Menken
#
Larry Wright
#
not contestable for SAI
#
Sister Act
#
Larry Wright
#
SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.853680 Composed by Alan Menken. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 7 pages. Larry Wright #...
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Choral Choir (SSAA) - Level 4 - SKU: A0.853680 Composed by Alan Menken. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 7 pages. Larry Wright #4361867. Published by Larry Wright (A0.853680). A WOMEN'S 4-part, a cappella, barbershop, ballad arrangement of a pop song from the London Musical Sister Act; not contestable for SAI; can also be sung with the optional Backing Choir.Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available EXCELLENT part-predominant, vocal Learning Trax <www.larrywrightmusic.com>. If you've FIRST purchased my part-predominant, vocal learning trax from my website store... and the SMP per-copy price is anything more than $1.99, DON'T PAY IT!!! Email me <larry@larrywrightmusic.com> for assistance. NOTE: SMP requires a minimum purchase of 10 copies for all choral selections. Sorry quartets!
$15.00 ≈
14.00€
Sunshine, Lollipops And Rainbows
Sunshine, Lollipops And Rainbows
#
Choral SSAA
#
INTERMEDIATE
#
Marvin Hamlisch
#
Larry Wright
#
Sunshine, Lollipops And Rainbo
#
Larry Wright
#
SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.853806 Composed by Marvin Hamlisch. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 4 pages. Larry Wrig...
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Choral Choir (SSAA) - Level 3 - SKU: A0.853806 Composed by Marvin Hamlisch. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 4 pages. Larry Wright #4629847. Published by Larry Wright (A0.853806). A WOMEN'S 4-part, a cappella, barbershop arrangement of an uptempo'd, pop hit song from the late 60's; not contestable for SAI.Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available excellent part-predominant vocal Learning Trax <www.larrywrightmusic.com>. If you've FIRST purchased my vocal learning trax from my website store... and the SMP per-copy price is anything other than $1.89, DON'T PAY IT!!! Email me <larry@larrywrightmusic.com> for assistance. NOTE: SMP requires a minimum purchase of 10 copies for all choral selections. Sorry quartets!
$15.00 ≈
14.00€
Short People
Short People
#
Choral SSAA
#
INTERMEDIATE
#
Randy Newman
#
Larry Wright
#
Short People
#
Larry Wright
#
SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.853826 By Randy Newman. By Randy Newman. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 6 pages. Larry...
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Choral Choir (SSAA) - Level 3 - SKU: A0.853826 By Randy Newman. By Randy Newman. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 6 pages. Larry Wright #4632075. Published by Larry Wright (A0.853826). A WOMEN'S 4-part, a cappella, barbershop arrangement of a fun, uptempo'd Randy Newman pop song; not contestable for SAI. Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available excellent part-predominant vocal Learning Trax <www.larrywrightmusic.com>. If you've FIRST purchased my learning trax from my website store <www.larrywrightmusic.com>.... and the posted per-copy price on the SMP website store is anything but $1.89, email me <larry@larrywrightmusic.com>. NOTE: Also, SMP requires a minimum purchase of 10 copies for all choral selections; sorry quartets!
$15.00 ≈
14.00€
Saint-Saëns: The Swan for Alto Sax & Piano
Saint-Saëns: The Swan for Alto Sax & Piano
#
Alto Saxophone and Piano
#
INTERMEDIATE
#
Classical
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for A
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Hi...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903072. Published by jmsgu3 (A0.1314328). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
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